New York
- Naomi Albright — culture, books
- Theo Mensah — music, the city
New work every Tuesday
A reader's note from the editor
Jasmine Tame Online is the independent editorial home of writer and critic Jasmine Tame. It began in March 2019 as a one-writer newsletter sent to 312 readers and now reaches more than 180,000 subscribers across London, New York and Lagos, with new work landing in the inbox every Tuesday.
Essays, dispatches and long-form commentary on culture, power and modern womanhood — new work every Tuesday.
I started this newsletter in a flat in Hackney with no audience, no masthead and no business plan. I had one question — whether the long essay still had a place in a culture that had begun to read in headlines — and I wanted to find out the slow way, by writing one a week for whoever showed up.
Six years on, that question has become the spine of the publication. Jasmine Tame Online is a newsletter-first site, not a magazine. There is no algorithmic feed, no carousel of advertorial, no glossy front-of-book. There is a weekly essay — usually 2,500 to 3,500 words, sometimes longer — and an archive that now holds more than 240 of them.
I write about culture, power and modern womanhood. The subjects I return to most often are the rooms women are allowed to speak in, the cost of being heard, the long afterlife of a single sentence spoken in public, and the small, daily negotiations of taste and attention. I try to be lyrical where the subject deserves lyricism and sharp where the subject deserves a blade. I am not interested in being fair to everyone; I am interested in being honest about what I see.
Every essay is written and edited by me, with the support of a small editorial team in London and a network of contributing editors in New York, Lagos, Berlin, Paris, Mumbai, Mexico City and Seoul. We publish on Tuesdays because Tuesdays are quiet enough to read, and we don't run advertising on the essays themselves. The publication is reader-supported: around 22% of subscribers are paying members, and their subscriptions pay the salaries of the four staff who work on it full-time.
This page is the place to say who we are, how we work, and what we will and won't do. If you are here for the first time, the archive is open and the latest essay is at the top of the front page. Welcome.
— Jasmine Tame, London, November 2025
The masthead
Four full-time staff based at the studio on Berwick Street. They do the work that turns a Tuesday-morning draft into a Tuesday-evening essay.
The wider desk
Eleven writers, critics and translators who commission and edit the dispatches from outside London. Each runs a small reading group whose members translate the weekly essay into their language.
Translations of the weekly essay are published in Spanish, Portuguese, French, German, Japanese, Korean, Italian, Turkish and Yoruba — produced by volunteer reading groups coordinated by Priya Mehta from London.
Notes from the desk
A reader's invitation
The latest piece is waiting on the front page. It is, as always, free to read — and if you would like it in your inbox each Tuesday, the door is below.
Or subscribe to the Tuesday newsletter
Letters, commissions and rights: [email protected] · +44 20 4538 9118 · Studio 4, 12a Berwick Street, London W1F 0QQ.